The Cat and the Saxophone (2 A.M.)
(Temperance & Gluttony )
FROM: Virtues and Vices: 7 Pieces for SATB Chorus and Piano
VOICING: SATB, Solo (any voice), with Piano
DIFFICULTY: medium
TONE: flirty swing
DURATION: 3'30"
YEAR COMPOSED: 2024
GENERAL: This work was commissioned by Sound Ecologies Inc. (Indiana 2024, Luke Garrigus, President). It premiered at Choral Reflections: Sacred Music by Indiana Composers at the University of Indianapolis, on March 7, 2024. (Recording Below)
TEXT: Langston Hughes (1901–1967)
The Cat and the Saxophone (2 A.M.) (Temperance & Gluttony)
EVERYBODY
Half-pint,—
Gin?
No, make it
LOVES MY BABY
corn. You like
liquor,
don’t you, honey?
BUT MY BABY
Sure. Kiss me,
DON’T LOVE NOBODY
daddy.
BUT ME.
Say!
EVERYBODY
Yes?
WANTS MY BABY
I’m your
BUT MY BABY
sweetie, ain’t I?
DON’T WANT NOBODY
Sure.
BUT
Then let’s
ME,
do it!
SWEET ME.
Charleston,
mamma!
!
Note from the Composer
“The Cat and the Saxophone (2 A. M.)” is the sixth movement of Virtues and Vices: 7 Pieces for SATB Chorus and Piano and it explores the virtue/vice of temperance/gluttony. This jazzy partner song celebrates the 100-year anniversary of “Everybody Loves My Baby”, recorded by Louis Armstrong and Clarence Williams’ Blue Five in 1924. This piece combines “Everybody Loves My Baby” (“band theme”) with an original melody (“bar theme”). In Langston Hughes’ poem, the text formatting highlights that there are two distinct speakers present: the bartender and the band singer. Changing jazz styles heighten the humor, charm, and flirtation of the music. As the music speeds up and builds to a group scat section, an improvised scat solo drives the ensemble to a final rowdy shout chorus! Does the piece resemble temperance or gluttony? Optional performance instructions allow performers to play up on the theatre of this piece.
Ordering Scores
This work is published as a digital score with a performance license. The cost is $3.00 per score, 10 copy minimum order. See "Virtues and Vices" to purchase the complete multi-movement work.
To Order:
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